Drake weston road flows whosampled
Aside from Drizzy’s fascination with forbidden love - which is the entire crux of DMX’s original. (from It’s Dark And Hell Is Hot, Def Jam, 1998)Ĭonsidering Drake’s penchant for referencing phone calls and voicemails, we probably should have known that DMX’s ‘How’s It Going Down?’ would have been something of an inspiration. (from …And Then There Was X, Def Jam, 1999)ĭMX – ‘How’s It Going Down’ (ft. It’s a subtle but effective nod to a time when Auto-Tune wasn’t quite as ubiquitous and gives Views its first sip of Caribbean flavor without resorting to more obvious rhythmic tropes.ĭMX – ‘What These Bitches Want’ (ft. This time, Drizzy samples ‘Dying’, snipping its heavily Auto-Tuned ad-lib and pitching it to suit 40, Boi-1da and veteran pop producer Brian Alexander Morgan’s dusty beat. You might remember that Drake cast Jamaican dancehall superstar Mavado in the video for 2010’s ‘Find Your Love’, so ‘9’ feels like something of a callback. (from Gangsta for Life: The Symphony of David Brooks, VP, 2007) Read next: A guide to the samples on Kanye West’s The Life Of Pablo.
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Click on each track to hear a comparison. At 20 tracks, it doesn’t pull any punches either, packing in as many references as possible in its 82-minute (!) runtime, from DMX’s chants on ‘U With Me?’ to the sizzling Timmy Thomas sample on the now-ubiquitous ‘Hotline Bling’.įACT teamed up with WhoSampled to provide a guide to the patchwork of songs behind Views. Views, which dropped this week, is Drake’s most eagerly anticipated album to date, appearing only a week after Beyoncé’s Lemonade and in the same year as Rihanna’s ANTI and Kanye West’s sprawling The Life Of Pablo.
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That’s not to detract from his personality either, but Drake’s production unit – led by the enigmatic Noah “40” Shebib – has helped steer the star through the pop landscape, giving what could have been a cheesy prospect (“child star makes rap album”) an innovative, unimpeachable backbone.
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Since his breakout mixtape So Far Gone, Drake’s success has been chained to his production choices.